Thursday, August 14, 2014

A00036 - Maryam Mirzakhani, First Woman to Receive Fields Medal



Photo

Winners of the 2014 Fields Medal in mathematics, from left: Maryam Mirzakhani, Artur Avila, Manjul Bhargava and Martin Hairer. CreditInternational Mathematical Union
Continue reading the main storyShare This Page
An Iranian mathematician is the first woman ever to receive a Fields Medal, often considered to be mathematics’ equivalent of the Nobel Prize.
The recipient, Maryam Mirzakhani, a professor at Stanford, was one of four winners honored on Wednesday at the International Congress of Mathematicians in Seoul, South Korea.
The Fields Medal is given every four years, and several can be awarded at once. The other recipients this year are Artur Avila of the National Institute of Pure and Applied Mathematics in Brazil and the National Center for Scientific Research in France; Manjul Bhargava of Princeton University; and Martin Hairer of the University of Warwick in England.
The 52 medalists from previous years were all men.
“This is a great honor. I will be happy if it encourages young female scientists and mathematicians,” Dr. Mirzakhani was quoted as saying in a Stanford news release on Tuesday. “I am sure there will be many more women winning this kind of award in coming years.”
Ingrid Daubechies, a professor of mathematics at Duke and president of theInternational Mathematical Union, called the news “a great joy” in an email.
“All researchers in mathematics will tell you that there is no difference between the math done by a woman or a man, and of course the decision of the Fields Medal committee is based only on the results of each candidate,” she wrote. “That said, I bet the vast majority of the mathematicians in the world will be happy that it will no longer be possible to say that ‘the Fields Medal has always been awarded only to men.’ ”
Much of the research by Dr. Mirzakhani, who was born in Tehran in 1977, has involved the behavior of dynamical systems. There are no exact mathematical solutions for many dynamical systems, even simple ones.
“What Maryam discovered is that in another regime, the dynamical orbits are tightly constrained to follow algebraic laws,” said Curtis T. McMullen, a professor at Harvard who was Dr. Mirzakhani’s doctoral adviser. “These dynamical systems describe surfaces with many handles, like pretzels, whose shape is evolving over time by twisting and stretching in a precise way. They are related to billiards on tables that are not rectangular but still polygonal, like the regular octagon.”
Dr. Avila, 35, investigated a different area of dynamical systems, including an understanding of fractals. Dr. Bhargava, 40, was recognized for new methods in the geometry of numbers, especially prime numbers, and Dr. Hairer, 38, made advances in the study of the effect of random noise on partial differential equations, capturing the effect of turbulence on ocean currents or the flow of air around airplane wings.
While women have reached parity in many academic fields, mathematics is still dominated by men, who earn about 70 percent of the doctoral degrees. The disparity is even more striking at the highest echelons. Since 2003, the Norwegian Academy of Science and Letters has awarded the Abel Prize, recognizing outstanding mathematicians with a monetary award of about $1 million; all 14 recipients so far are men. No woman has won the Wolf Prize in Mathematics, another prestigious award.
The Fields Medal was conceived by John Charles Fields, a Canadian mathematician, “in recognition of work already done” and as “an encouragement for further achievement.” Judges have interpreted the terms of the Fields trust to mean that the award should usually be limited to mathematicians age 40 or younger.
Dr. McMullen, himself a Fields medalist, did not speculate on why it had taken so long for a woman to be recognized. “I would prefer to look forward and celebrate this occasion,” he said, “and see it as a sign of positive trends in society and in science.”

Wednesday, August 13, 2014

A00035 - Idris Muhammad, Multi-Genre Drummer





Photo

Idris Muhammad in 1998, with the Joe Lovano Trio at Iridium, in Manhattan. Mr. Lovano honored him with the tune “Idris.” CreditJack Vartoogian/FrontRowPhotos
Continue reading the main storyShare This Page
Idris Muhammad, a drummer whose deep groove propelled both a broad career in jazz and an array of hits spanning rhythm and blues, funk and soul, died on July 29 in Fort Lauderdale, Fla. He was 74.
His death was confirmed by Dan Williams, a friend affiliated with the New Orleans Jazz & Heritage Foundation. The cause was not specified.
Mr. Muhammad was a proud product of New Orleans, whose strutting parade rhythms always lurked just beneath the surface of his style. A busy sideman as early as his teenage years, he later backed Curtis Mayfield, Sam Cooke, Roberta Flack and the jazz saxophonist Pharoah Sanders, and as a key member of the house band laid the rhythmic foundation for the original Broadway production of “Hair.”
But the heart of his work was at the intersection of jazz, R&B and funk, especially as they converged in the 1970s. He made a string of albums now prized by connoisseurs of funk, including “Power of Soul” (1974), “House of the Rising Sun” (1976) and “Turn This Mutha Out” (1977) with a supporting cast including players like the trumpeter Randy Brecker and the keyboardist Bob James.
Mr. Muhammad’s in-the-pocket backbeat also bolstered crossover efforts by the guitarists Grant Green and George Benson and the saxophonists Lou Donaldson and Grover Washington Jr. Within the last 20 years he had worked more in an acoustic mode, most prominently with the pianist Ahmad Jamal. Among the others he worked with were the guitarist John Scofield and the saxophonist Joe Lovano, who once honored him with a tune titled “Idris.”
He was born Leo Morris on Nov. 13, 1939, in New Orleans. His father played banjo, and four of his siblings were drummers. Naturally drawn to the sound of Mardi Gras parade bands, he found his calling with no formal training. He was 15 when he played on Art Neville and the Hawketts’ enduring 1954 recording of “Mardi Gras Mambo,” and not much older when he appeared on Fats Domino’s hit version of “Blueberry Hill.”
In 1966 he married Delores Brooks, lead singer for the Crystals, a girl group with a string of pop hits, including “Da Doo Ron Ron.” The couple converted to Islam, changing their names to Idris and Sakinah Muhammad, and lived in London and Vienna before their marriage ended in divorce in 1999. They had two sons and two daughters; he also had a daughter from a previous marriage, to the former Gracie Lee Edwards.
Information on survivors was not immediately available.
Mr. Muhammad was widely sampled by hip-hop artists, including Tupac Shakur, the Notorious B.I.G., Eminem, Lupe Fiasco and Drake. The Beastie Boys album “Paul’s Boutique” opens with a lengthy sample of “Loran’s Dance,” from “The Power of Soul.” Asked in an interview how he felt about other people using his music, he told Wax Poetics magazine, “It don’t really belong to me, man,” adding: “The gift the Creator has given me, I can’t be selfish with. If I keep it in my pocket, it’s not going to go anyplace.”

*****

Idris Muhammad (Arabic: إدريس محمد‎; born Leo Morris; November 13, 1939 – July 29, 2014) was an American jazzdrummer who has recorded extensively with many musicians, including Ahmad Jamal, Lou Donaldson, and Pharoah Sanders, among many others.[1]

Biography[edit]

At 16 years old, one of Muhammad's earliest recorded sessions as a drummer was on Fats Domino's 1956 hit "Blueberry Hill".
Muhammad was an endorser of Istanbul Agop Cymbals.
In 2012 Xlibris released the book Inside The Music: The Life of Idris Muhammad, which he wrote with his friend Britt Alexander. He died aged 74 in 2014.[2][3]

Personal life[edit]

He changed his name in the 1960s upon his conversion to Islam. In 1966, he married Dolores "LaLa" Brooks (former member of the Crystals; she converted to Islamwith him and went for a time under the name Sakinah Muhammad). They separated in 1999. Together, they have two sons and two daughters, and one daughter from a previous marriage to Gracie Lee Edwards-Morris. Pharoah Sanders's son Idris is named after Idris Muhammad [4]

Discography[edit]

As leader[edit]

As sideman[edit]

  • Dance (Stash, 1983)
  • Get In (1999)
With John Hicks
  • Soul Manifesto (1991)
With Keystone Trio
  • Heart Beats (1996)[5]
  • Newklear Music: The Songs of Sonny Rollins(1997)[6]
With Joe Lovano
  • Below the Bassline (Island, 1998)
With Roots
  • Jewels of Thought (Impulse!, 1969)
  • Journey to the One (Theresa, 1980)
  • Heart is a Melody (Theresa, 1982)
  • Live (Theresa, 1982)
  • Shukuru (Theresa, 1985)
  • Africa (Timeless, 1987)
  • Macho (Salvation, 1975)
  • Portraits of Duke Ellington (Verve, 1989)
  • Portraits of Thelonious Monk (Verve, 1989)
  • Self Portraits (Verve, 1989)
  • Spirits of Our Ancestors (Verve, 1991)