Friday, March 28, 2014

A00019 - Ahmad Kabbah, President of Sierra Leone




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Former President Ahmad Tejan Kabbah of Sierra Leone, who oversaw the end of the country's brutal 11-year civil war, died at 82 in Freetown.CreditGeorge Osodi/Associated Press
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Ahmad Tejan Kabbah, who as president of Sierra Leone was widely credited with returning peace to his West African nation after years of brutal civil war, died on Thursday at his home in Freetown, the country’s capital. He was 82.
His death was announced by John Benjamin, a friend and a former chairman of the Sierra Leone People’s Party.
Mr. Kabbah led Sierra Leone both during and after an 11-year civil war in which some 120,000 people were killed, many gruesomely. He was praised for instituting a disarmament program that led to the official end of the war in 2002, with the help of a United Nations peacekeeping force and British military trainers. But after the war, he was criticized for failing to lift his country out of poverty.
Born to a Muslim family in eastern Sierra Leone on Feb. 16, 1932, Mr. Kabbah received a Christian education and joined the civil service in 1959. 
After the Sierra Leone People’s Party, to which he belonged, was defeated in elections in 1968, he lost his job, and his property was confiscated. He moved to Britain, where he studied law and became a jurist.
He joined the United Nations Development Program in 1970, and for the next 22 years worked in the United States and several African countries. In 1992, a year after the rebel Revolutionary United Front began a bloody insurrection, Mr. Kabbah quit the United Nations and was named president of a national council set up by a military junta to pave the way for a return to multiparty politics and draw up a new constitution.
Mr. Kabbah was elected president of Sierra Leone in March 1996, and that November he signed an accord with the rebel leader Foday Sankoh. But in May 1997 he was overthrown in a coup and fled to Guinea. Sierra Leone’s new junta allied itself with the Revolutionary United Front.
In February 1998, after fierce fighting, the troops of a West African regional force led by Nigeria chased the junta out of Freetown, paving the way for Mr. Kabbah’s return. But in January 1999, rebels attacked Freetown once again.
That July, Mr. Kabbah and Mr. Sankoh signed a peace accord and agreed to share power. Around the same time, United Nations peacekeepers were dispatched to Sierra Leone. But in May 2000, the Revolutionary United Front reneged on its pledges by taking some 500 peacekeepers hostage.
When the situation worsened, Britain sent armed forces to end the crisis.
Mr. Sankoh was imprisoned, and Mr. Kabbah began a disarmament program that led to the official end of the war in January 2002. He stepped down in 2007.

***

Alhaji Ahmad Tejan Kabbah (February 16, 1932 – March 13, 2014) was the third President of Sierra Leone from 1996 to 1997 and again from 1998 to 2007. An economist and attorney by professions, Kabbah spent many years working for the United Nations Development Programme.  He retired from the United Nations and returned to Sierra Leone in 1992.
In early 1996, Kabbah was elected leader of the Sierra Leone People's Party (SLPP) and the party's presidential candidate in the 1996 presidential election. He was elected President of Sierra Leone in the 1996 presidential election with 59% of the vote defeating his closest rival John Karefa-Smart of the United National People's Party (UNPP) who had 40% in the runoff vote and conceded defeat. International observers declared the election free and fair. In his inauguration speech in Freetown, Kabbah promised to end the civil war, which he indeed achieved later in his presidency.

An ethnic Mandingo, Kabbah was Sierra Leone's first Muslim head of state.  Kabbah was born in Pendembu, Kailahun District in Eastern Sierra Leone, though he was largely raised in the capital Freetown. 

Most of Kabbah's time in office was influenced by the civil war with the Revolutionary United Front, led by Foday Sankoh, which involved him being temporarily ousted by the military Armed Forces Revolutionary Council from May 1997 to March 1998. He was soon returned to power after a military intervention by the Economic Community of West African States (ECOWAS), led by Nigeria. Another phase of the civil war led to United Nations and British involvement in the country in 2000.

As President, Kabbah opened direct negotiations with the RUF rebels in order to end the civil war. He signed several peace accords with the rebel leader Foday Sankoh, including the 1999 Lome Peace Accord, in which the rebels, for the first time, agreed to a temporary cease fire with the Sierra Leone government. When the cease fire agreement with the rebels virtually collapsed, Kabbah campaigned for international assistance from the British, the United Nations Security Council, the African Union and the Economic Community of West African States to help defeat the rebels and restored peace and order in Sierra Leone.
Kabbah declared the civil war officially over in early 2002. Tens of thousands of Sierra Leoneans across the country took to the streets to celebrate the end of the war. Kabbah went on to easily win his final five year term in office in the presidential election later that year with 70.1% of the vote, defeating his main opponent Ernest Bai Koroma of the main opposition All People's Congress (APC). International observers declared the election free and fair.
Alhaji Ahmad Tejan Kabbah was born on February 16, 1932 in the rural town of Pendembu, Kailahun District in the Eastern Province of Sierra Leone to devout Muslim parents. Kabbah's father was an ethnic Mandingo and a deeply religious Muslim of Guinean descent and a native of Kambia District in the north of Sierra Leone. His mother was also a Muslim and a member of the Mende ethnic group from the Coomber family, a Chieftaincy ruling house based in the small rural town of Mobai, Kailahun District. Kabbah's first name Ahmad means "highly praised" or "one who constantly thanks God" in the Arabic language. Kabba himself was a devout Muslim and a member of the Mandingo ethnic group. Kabbah was a fluent speaker of his native Mandingo language and was also a fluent speaker of the local Susu language. Though born in the Kailahun District, Kabbah was largely raised in the capital Freetown.
Though a devout Muslim, Kabbah received his secondary education at the St. Edward's secondary school in Freetown, the oldest Catholic secondary school in Sierra Leone. Kabbah married a Catholic, the late Patricia Kabbah, (born Patricia Tucker), who was an ethnic Sherbro from Bonthe District in Southern Sierra Leone. Together the couple had five children. Kabbah received his higher education at the Cardiff College of Technology and Commerce, and University College Aberystwyth, Wales, in the United Kingdom, with a Bachelor's degree in Economics in 1959. He later studied law, and in 1969 he became a practicing Barrister-at-Law, member of the Honourable Society of Gray's Inn, London.

Kabbah spent nearly his entire career in the public sector. He served in the Western Area and in all the Provinces of Sierra Leone. He was a District Commissioner in Bombali and Kambia (Northern Province), in Kono (Eastern Province) and in Moyamba and Bo (Southern Province). He later became Permanent Secretary in various Ministries, including Trade and Industry, Social Welfare, and Education.

Kabbah was an international civil servant for almost two decades. After serving as deputy Chief of the West Africa Division of the United Nations Development Programme (UNDP) in New York, he was reassigned in 1973 to head the Programme's operation in the Kingdom of Lesotho, as Resident Representative. He also headed UNDP operations in Tanzania and Uganda, and just before Zimbabwe's independence, he was temporarily assigned to that country to help lay the groundwork for cooperation with the United Nations system.

After a successful tour of duty in Eastern and Southern Africa, Kabbah returned to New York to head UNDP's Eastern and Southern Africa Division. Among other things, he was directly responsible for coordinating United Nations system assistance to liberation movements recognized by the Organization of African Unity (OAU), such as the African National Congress (ANC) of South Africa, and the South West African People's Organization (SWAPO) of Namibia.
Before his retirement in 1992, Kabbah held a number of senior administrative positions at UNDP Headquarters in New York, including those of Deputy Director and Director of Personnel, and Director, Division of Administration and Management.

After the military coup in 1992, Kabbah was asked to chair the National Advisory Council, one of the mechanisms set up by the military to alleviate the restoration of constitutional rule, including the drafting of a new constitution for Sierra Leone. He reputedly intended his return to Sierra Leone to be a retirement, but was encouraged by those around him and the political situation that arose to become more actively involved in the politics of Sierra Leone.


Kabbah was seen as a compromise candidate when he was put forward by the Mende-dominated Sierra Leone People's Party (SLPP) as their presidential hopeful in the 1996 Presidential and Parliamentary elections, the first multi-party elections in twenty-three years. The SLPP won the legislative vote overwhelmingly in the South and Eastern Province of the country, they split the vote with the UNPP in the Western Area and they lost in the Northern Province. On March 29, 1996, Alhaji Ahmad Tejan Kabbah was sworn in as President of Sierra Leone. Guided by his philosophy of "political inclusion" he appointed the most broad-based government in the nation's history, drawing from all political parties represented in Parliament, and ‘technocrats’ in civil society. One minority party did not accept his offer of a cabinet post.


 The President's first major objective was to end the rebel war which, in four years had already claimed hundreds of innocent lives, driven thousands of others into refugee status, and ruined the nation's economy. In November 1996, in Abidjan in Côte d'Ivoire, Kabbah signed a peace agreement with the rebel leader, former Corporal Foday Sankoh of the Revolutionary United Front (RUF).
The rebels reneged on the Agreement, resumed hostilities, and later perpetrated on the people of Sierra Leone what has been described as one of the most brutal internal conflicts in the world.
In 1996, a coup attempt involving Johnny Paul Koroma and other junior officers of the Sierra Leone Army was unsuccessful, but served as notice that Kabbah's control over military and government officials in Freetown was weakening.
In May 1997, a military coup forced Kabbah into exile in neighboring Guinea. The coup was led by the Armed Forces Revolutionary Council,  and Koroma was freed and installed as the head of state. In his Guinea exile, Kabbah began to marshal international support. Just nine months after the coup, Kabbah's government was revived as the military-rebel junta was removed by troops of the Economic Community of West African States (ECOWAS) under the command of the Nigerian led ECOMOG (ECOWAS Ceasefire Monitoring Group) and loyal civil and military defense forces, notably the Kamajos led by Samuel Hinga Norman. 

Once again, in pursuit of peace, President Kabbah signed the Lome Peace Accord with the RUF rebel leader Foday Sankoh on July 7, 1999. Notwithstanding repeated violations by the RUF, the document, known as the Lomé Peace Agreement, remained the cornerstone of sustainable peace, security, justice and national reconciliation in Sierra Leone. On January 18, 2002, at a ceremony marking the conclusion of the disarmament and demobilization of ex-combatants under the auspices of the United Nations Mission in Sierra Leone (UNAMSIL), he declared that the rebel war was over.

Although elected as president, he faced the task of fighting a brutal enemy. His most crucial military support was however from outside. Nigeria was the foremost participant as they crucially intervened under the leadership of the late General Sani Abacha, who was then the military head of his country. On February 1998, he sent his troops to push out the infamous military junta and rebel alliance of Johnny Paul Koroma and Sam Bockarie, known as Maskita. The rebels, however, continued their attempt to dethrone Kabbah's government, despite signing numerous peace accords with President Kabbah. In May 2000, Foday Saybanah Sankoh, who was then part of Kabbah's cabinet, kidnapped several UN troops, and then ordered his rebels to march to Freetown. Trouble was looming as the capital was once more threatened with another January 6, 1999 scenario. But with the timely intervention of the British Prime Minister, Tony Blair, 800 British troops were sent to Freetown to halt the impending rebel march to the city. President Kabbah was very grateful to the British Prime Minister, calling his intervention "timely" and one that "Sierra Leonean people will never forget".
As president, Kabbah opened direct negotiations with the RUF rebels in order to end the civil war. He signed several peace accords with the rebel leader Foday Sankoh, including the 1999 Lome Peace Accord, in which the rebels, for the first time agreed to a temporary cease fire with the Sierra Leone government. When the cease fire agreement with the rebels virtually collapsed, Kabbah campaigned for international assistant from the British, the United Nations Security Council, the African Union and the Economic Community of West African States to help defeat the rebels and restored peace and order in Sierra Leone.
In October 1999, the United Nations agreed to send peacekeepers to help restore order and disarm the rebels. The first of the 6,000-member force began arriving in December, and the United Nations Security Council voted in February 2000 to increase the force to 11,000, and later to 13,000. The UN peacekeeping forces were made up mainly of soldiers from the British special forces, India, Bangladesh and Pakistan. The African Union special forces sent to Sierra Leone to assist the government in fighting the rebels were made up mainly of soldiers from Nigeria, Guinea, Ghana, Kenya, Mali, Zambia and The Gambia. The international forces, led by the British troops, launched many successful military operations in repelling the RUF rebels and retook many of the areas of the country that were under the rebel control. The rebel lines of communication were severely destroyed and many senior rebel leaders were captured or fled the country, including the RUF leader Foday Sankoh, who was captured.
The fragile rebels finally agreed to be dissarmed.  In return the Sierra Leone government, lead by Kabbah, offered the rebels amnesty, career opportunities and mental institutions. The child rebels were reinstated in public schools, also offered mental institutions and reunited with family members. In 2001, United Nation forces moved in rebel-held areas and began to dissarm the rebels.
The civil war was officially declared over in early 2002 by Kabbah. Tens of thousands of Sierra Leoneans across the country took to the streets celebrating the end of the war. Kabbah went on to easily win his final five year term in office in the presidential election later that year with 70.1% of the vote, defeating his main opponent Ernest Bai Koroma of the main opposition All People's Congress (APC). International observers declared the election free and fair.


As the first leader after the civil war, Kabbah's main task was to disarm the different parties involved in the war and to build unity of the country.  Time magazine called Kabbah a "diamond in the rough" for his success as the first civilian elected ruler of Sierra Leone in 34 years and his role in the end of what became a decade long conflict from 1992 until 2000.  Although he himself was not considered corrupt, Kabbah was accused of an inability to deal with corrupt officials in his government many of whom were said to be profiting from the diamond trade. Kabbah struggled with this problem and invited the British to help set up an anti-corruption commission. 

Kabbah left office in September 2007 at the end of his second 5-year term. Constitutionally, he was not eligible to seek re-election. His Vice-President, Solomon Berewa, ran as the SLPP candidate to succeed Kabbah but was defeated by the opposition candidate Ernest Bai Koroma of the APC.
Kabbah was the head of the Commonwealth's observer mission for the December 2007 Kenyan election, as well as the head of the African Union's observer mission for the March 2008 Zimbabwean election.

Kabbah died at his residential home in Juba Hill, a middle class neighborhood in the west end of Freetown at the age of 82 on March 13, 2014, after a short illness.  Following the announcement of Kabbah's death, Sierra Leone's president Ernest Bai Koroma declared a week of national mourning; and he ordered the country's flags to be flown at half mast throughout Sierra Leone.
A state funeral was held for Kabbah. Kabbah's funeral service was attended by several former Heads of State, international delegations, former and current government officials, regardless of their political paties, and members of the civil services. 
On March 21, 2014, Kabbah's casket was carried by soldiers of the Sierra Leone Armed Forces into the Sierra Leone House of Parliament were members of parliament paid their last respects to the former Head of State. On March 23, 2014 Kabbah's casket was brought to the National Stadium, as thousands of Sierra Leoneans lined the streets of Freetown to say goodbye to their former leader. Kabbah's body was then carried by soldiers to the Mandingo Central Mosque in Freetown where an Islamic prayer service was held before he was finally laid to rest at the Kissi Road Cemetery, next to his mother Hajah Adama Kabbah's grave. 

Kabbah's wife Patricia, an ethnic Sherbro, died in 1998.  They had five children: Mariama, Abu, Michael, Isata and Tejan Jr., and three grandchildren: Simone, Isata, and Aidan.
 

Thursday, March 6, 2014

A00018 - Maryam Durani, Afghan Human Rights Activist

Maryam Durani: (Arabic: مَریَم دورانی), is an Afghan activist. Daughter of Haji Mohammad Eisa Durani, Maryam Durani was born in 1987. Hailing from the Muhammadzai tribe, Maryam is a graduate of the business department of American University of Afghanistan and currently she is a third class student of Law and Political Science at Noor University. Maryam Durani was also Kandahar people’s representative in the provincial council. She has served in different positions such as director of Khadijatul Kubra women's association for culture, owner of Merman Radio (special women radio) and as founder of the Kandahar woman advocacy network. She received the World Ten Brave Women’s award on March 8, 2012 as well as a World 100 Influential Figure’s award on April 20, 2012.  She has also received the Brave Woman award from the State of Pennsylvania, the Women Rights Protector’s award from Washington and an Iraq and Afghanistan Female Peace Activist’s appreciation letter from Turkey. She is a broadcaster and the manager of the Merman Radio of Kandahar. On April 6, 2013, she founded the Women's Network (Advocacy) in Kandahar. Maryam also established the Malalai Maiwandi Internet cafe a free women's internet cafe to connect more women to the world in a safe and comfortable space. she opened Malali Maiwandi internet cafe on September 25, 2013 which is the first of its kind in the Afghanistan.  There Afghan women could use the cafe for getting information about current affairs and obtain educational material, which is the main reason why she established the women's cafe. In 2012, she was chosen by Time Magazine as "The 100 Most Influential People in the World".  According to Time, "As the owner and operator of a radio station (Merman Radio) that focuses on women's issues and as a member of the Kandahar provincial council, Durani stands up for the region's women with remarkable bravery." On March 8, 2012, she became a recipient of the prestigious United States Secretary of State’s International Women of Courage Award.

Wednesday, March 5, 2014

A00017 - Samira Ibrahim, Egyptian Activist

Samira Ibrahim (Arabic: سميرة إبراهيم‎) (born c. 1987) is an Egyptian activist who came to prominence during the Egyptian revolution .

On March 9, 2011, she participated in a sit-in at Tahrir Square in Cairo. The military violently dispersed protest participants, and Samira and other women were beaten, given electric shocks, strip searched, and videotaped by the soldiers. They were also subjected to virginity tests. The tests were allegedly carried out to protect the soldiers from claims of rape.

After succeeding in placing the case in front of a civilian court, a court order was issued in December 2011 to stop the practice of “virginity tests”. However in March 2012, a military court exonerated Dr. Adel El Mogy from charges laid in connection with the virginity testing of Ibrahim.

Ibrahim vowed to take her case to the international courts.

In early March 2013, Ibrahim came under criticism after Samuel Tadros, writing in The Weekly Standard, accused her of posting anti-Semitic and anti-American statements on her Twitter account. These statements included quoting Adolf Hitler, writing: "I have discovered with the passage of days, that no act contrary to morality, no crime against society, takes place, except with the Jews having a hand in it. Hitler.” In reaction to a suicide bombing of a bus of Israelis in Bulgaria, she wrote "Today is a very sweet day with a lot of very sweet news.” In 2012, on the anniversary of the September 11 terrorist attacks, she tweeted "Today is the anniversary of 9/11. May every year come with America burning".

The United States State Department subsequently announced that it would not be giving the International Women of Courage Award to Samira Ibrahim in light of these comments.

Initially, Ibrahim claimed that her Twitter account had been "previously stolen" and that "any tweet on racism and hatred is not me”. However, she later stated "I refuse to apologize to the Zionist lobby in America regarding my previous anti-Zionist statements under pressure from American government therefore they withdrew the award." The United States State Department later stated that Ibrahim had since left the United States to return to Egypt.

On March 8, 2013, a spokeswoman for the United States State Department stated that "Upon further review, the department has decided not to present her with the award" as American officials "didn't consider some of the public statements that she had made appropriate. They didn't comport with our values" while adding that "There were obviously some problems in our review process, and we're going to do some forensics on how that happened."

Friday, January 31, 2014

A00016 - Naima Akef, Egyptian Belly Dancer

Akef, Naima
Naima Akef (Arabic: نعيمة عاكف‎,; 7 October 1929 - 23 April 1966) was a famous Egyptian belly dancer during the Egyptian cinema's golden age and starred in many films of the time. Naima Akef was born in Tanta on the Nile Delta. Her parents were acrobats in the Akef Circus (run by Naima’s grandfather), which was one of the best known circuses at the time. She started performing in the circus at the age of four, and quickly became one of the most popular acts with her acrobatic skills. Her family was based in the Bab el Khalq district of Cairo, but they traveled far and wide in order to perform.

The circus disbanded when Naima was 14, but this was only the beginning of her career. Her grandfather had many connections in the performance world of Cairo and he introduced her to his friends. When Naima’s parents divorced, she formed an acrobatic and clown act that performed in many clubs throughout Cairo. She then got the chance to work in Badeia Masabny's famous nightclub, where she became a star and was one of the very few who danced and sang. Her time with Badeia, however, was short-lived, as Badeia favored her, which made the other performers jealous. One day they ganged up on her and attempted to beat her up, but she proved to be stronger and more agile and won the fight. This caused her to be fired, so she started performing elsewhere.

The Kit Kat club was another famous venue in Cairo, and this is where Naima was introduced to film director Abbas Kemal. His brother Hussein Fawzy, also a film director, was very interested in having Naima star in one of his musical films. The first of such films was “Al-Eïch wal malh” (Bread and Salt). Her costar was singer Saad Abdel Wahab, the nephew of the legendary singer and composer Mohammed Abdel Wahab. The film premiered on the 17th of January 1949, and was an instant success, bringing recognition also to Nahhas Film studios.  Naima quit acting in 1964 to take care of her only child, a son from her second marriage to accountant Salaheldeen Abdel Aleem. She died two years later from cancer, on April 23, 1966, at the age of 36. The filmography of Naima Akef reads as follows:



  • Aish Wal Malh (1949)
  • Lahalibo (1949).
  • Baladi Wa Khafa (1949).
  • Furigat (1950).
  • Baba Areess (1950).
  • Fataat Al Sirk (1951).
  • Ya Halawaat Al Hubb (1952).
  • Arbah Banat Wa Zabit (1954).
  • Aziza (1955).
  • Tamr Henna (1957) with Ahmed Ramzy, Fayza Ahmed and Rushdy Abaza.
  • Amir El Dahaa (1964).

Thursday, January 30, 2014

A00015 - Ibn 'Aqil, Hanbali Jurist


Ibn ‘Aqil, Abu‘l-Wafa‘
Ibn ‘Aqil, Abu‘l-Wafa‘ (Abu‘l-Wafa‘ ibn ‘Aqil) (Abu al-Wafa Ali Ibn Aqil ibn Ahmad al-Baghdadi) (1040-1119). Hanbali jurist and theologian of Baghdad. Because of his interest in Mu‘tazila, he was forced into exile in another quarter of the city. In 1072, he publicly retracted his writings in favor of al-Hallaj and of certain Mu‘tazili doctrines.

Ibn 'Aqil was an Islamic theologian from Baghdad, Iraq. Trained in the tenets of the Hanbali school (madhab), the most traditional school of Islamic law, he outraged his teachers by striving to incorporate liberal theological ideas into the tradition. He sought to use reason and logical inquiry to interpret religion, and was influenced by the teachings of the mystic, and universally respected and accepted saint of Islam, al-Hallaj (d. 922). In 1066 he was appointed professor at the mosque of al-Mansur in Baghdad, but persecution by conservative theologians soon led to his retirement, and in 1072 he was forced to retract his beliefs publicly, due to a threat on his life. It would seem probable however, that even after this public recantation, he still had a great admiration for al-Hallaj. Among his works of jurisprudence that have survived are Wadih fi usul al-fiqh and (in part) Kitab al-funun
, a work comprising 800 volumes.

Ibn 'Aqil was appointed to a well-known academic "chair" in Jami' al-Mansur in Baghdad. The notion of a "chair" arose in eleventh century. At that time, a study circle or a Halaqat al-'ilm or halaqa gathered around a professor who was seated on a chair, or kursi in Arabic. Initially, the chair was just to give the teacher a comfortable place and to make him higher than the seated students so they could see and hear him better. It is this notion of "chair," or kursi, that evolved into a professional position, like the chair of a board or a committee.

The professor in the chair of the study circles was either chosen by the caliph or by a committee of scholars (al-Hawza), as in present day Qum in Iran or Najaf in Iraq. They were chosen for their scholarly prowess and popularity.


Abu'l-Wafa' ibn 'Aqil see Ibn ‘Aqil, Abu‘l-Wafa‘
Abu al-Wafa Ali Ibn Aqil ibn Ahmad al-Baghdadi see Ibn ‘Aqil, Abu‘l-Wafa‘
Baghdadi, Abu al-Wafa Ali Ibn Aqil ibn Ahmad al- see Ibn ‘Aqil, Abu‘l-Wafa‘
 

Tuesday, January 28, 2014

A00014 - Ibn Abi Usaibia, Arab Physician and Historian

Ibn Abi Usaibia
Ibn Abi Usaibia, or Ibn Abi Usaybi'ah or Ibn Abi Usaybi'a, ( [1194] 1203-1270) (Arabic: ابن أبي أصيبعة موفق الدين أبو العباس أحمد بن القاسم بن خليفة الشعري الخزرجي‎, Ibn Abī Uṣaybiʿa Muʾaffaq al-Dīn Abū al-ʿAbbās Aḥmad Ibn Al-Qāsim Ibn Khalīfa al-Khazrajī) was an Arab physician, bibliographer and historian. He was born at Damascus, a descendant of the Banu Khazraj tribe and the son of an oculist, and studied medicine at Damascus and Cairo. In 1236 he was appointed physician to a new hospital in Cairo, but he surrendered the appointment the following year to take up a post given him by the amir of Damascus in Salkhad near that city. There he lived and died.

Ibn Abi Usaibia owes his fame to a collection of 380 biographies which are of value for the history of Arabic science.

Ibn Abi Usaibia wrote ʿUyūn ul-Anbāʾ fī Ṭabaqāt ul-Aṭibbāʾ (Arabic: عيون الأنباء في طبقات الأطباء‎), or Lives of the Physicians, which in its first edition (1245-1246) was dedicated to the vizier of Damascus. This he enlarged, though it is uncertain whether the new edition was made public in the lifetime of the author. A European edition was published by August Müller (Königsberg, 1884). This work is notable as a source for Aristotle's biography. Its material on Pythagoras' biography is included as an appendix.

Monday, December 30, 2013

A00013 - Yusef Lateef, Pioneer of World Music

Yusef Lateef, Innovative Jazz Saxophonist and Flutist, Dies at 93


Alan Nahigian

Yusef Lateef in April. He sought inspriation well beyond the Western Hemisphere and anticipated cross-cultural fusions.

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Yusef Lateef, a jazz saxophonist and flutist who spent his career crossing musical boundaries, died on Monday at his home in Shutesbury, Mass., near Amherst. He was 93.
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His death was announced on his website.
Mr. Lateef started out as a tenor saxophonist with a big tone and a bluesy style, not significantly more or less talented than numerous other saxophonists in the crowded jazz scene of the 1940s. He served a conventional jazz apprenticeship, working in the bands of Lucky Millinder, Dizzy Gillespie and others. But by the time he made his first records as a leader, in 1957, he had begun establishing a reputation as a decidedly unconventional musician.
He began expanding his instrumental palette by doubling on flute, by no means a common jazz instrument in those years. He later added oboe, bassoon and non-Western wind instruments like the shehnai and arghul. “My attempts to experiment with new instruments grew out of the monotony of hearing the same old sounds played by the same old horns,” he once told DownBeat magazine. “When I looked into those other cultures, I found that good instruments existed there.”
Those experiments led to an embrace of new influences. At a time when jazz musicians in the United States rarely sought inspiration any farther geographically than Latin America, Mr. Lateef looked well beyond the Western Hemisphere. Anticipating the cross-cultural fusions of later decades, he flavored his music with scales, drones and percussion effects borrowed from Asia and the Middle East. He played world music before world music had a name.
In later years he incorporated elements of contemporary concert music and composed symphonic and chamber works. African influences became more noticeable in his music when he spent four years studying and teaching in Nigeria in the early 1980s.
Mr. Lateef professed to find the word “jazz” limiting and degrading; he preferred “autophysiopsychic music,” a term he invented. He further distanced himself from the jazz mainstream in 1980 when he declared that he would no longer perform any place where alcohol was served. “Too much blood, sweat and tears have been spilled creating this music to play it where people are smoking, drinking and talking,” he explained to The Boston Globe in 1999.
Still, with its emphasis on melodic improvisation and rhythmic immediacy, his music was always recognizably jazz at its core. And as far afield as his music might roam, his repertoire usually included at least a few Tin Pan Alley standards and, especially, plenty of blues.
He was born on Oct. 9, 1920, in Chattanooga, Tenn. Many sources give his birth name as William Evans, the name under which he performed and recorded before converting to Islam in the late 1940s (he belonged to the reformist Ahmadiyya Muslim Community) and changing his name to Yusef Abdul Lateef. But according to Mr. Lateef’s website, he was born William Emanuel Huddleston.
When he was 5 his family moved to Detroit, where he went on to study saxophone at Miller High School. After spending most of the 1940s on the road as a sideman with various big bands, he returned to Detroit in 1950 to care for his ailing wife and ended up staying for a decade.
While in Detroit he became a popular and respected fixture on the local nightclub scene and a mentor to younger musicians. He also resumed his studies, taking courses in flute and composition at Wayne State University and later studying oboe as well.
In the later part of the decade he began traveling regularly from Detroit to the East Coast with his working band to record for the Savoy and Prestige labels. By 1960 he had settled in New York, where he worked with Charles Mingus, Cannonball Adderley and the Nigerian percussionist Babatunde Olatunji before forming his own quartet in 1964.
He was soon a bona fide jazz star, with successful albums on the Impulse and Atlantic labels and a busy touring schedule. But he also remained a student, and he eventually became a teacher as well.
He received a bachelor’s and a master’s degree from the Manhattan School of Music, and taught both there and at Borough of Manhattan Community College in the 1970s. He earned a doctorate in education from the University of Massachusetts, Amherst, in 1975 (his dissertation: “An Overview of Western and Islamic Education”) and later taught there and elsewhere in New England.
The more he studied, the more ambitious Mr. Lateef grew as a composer. He recorded his seven-movement “Symphonic Blues Suite” in 1970 and his “African-American Epic Suite,” a four-part work for quintet and orchestra, two decades later. His album “Yusef Lateef’s Little Symphony,” on which he played all the instruments via overdubbing, won aGrammy Award in 1988, though not in any of the jazz or classical categories; it was named best New Age performance. Mr. Lateef said at the time that, while he was grateful for the award, he didn’t know what New Age music was.
In 2010 he was named a Jazz Master by the National Endowment for the Arts.
Mr. Lateef is survived by his wife, Ayesha; a son, Yusef; a granddaughter; and several great-grandchildren. His first wife, Tahira, died before him, as did a son and a daughter.
His creative output was not limited to music. He painted, wrote poetry and published several books of fiction. He also ran his own record company, YAL, which he established in 1992.
He remained musically active until a few months before his death. In April he appeared at Roulette in Brooklyn in a program titled “Yusef Lateef: Celebrating 75 Years of Music,” performing with the percussionist Adam Rudolph and presenting the premieres of two works, one for string quartet and the other for piano.

***

Yusef Abdul Lateef (born William Emanuel Huddleston, October 9, 1920 – December 23, 2013) was an American jazz multi-instrumentalist, composer andeducator for the Ahmadiyya Muslim Community after his conversion to theAhmadiyya sect of Islam in 1950.
Although Lateef's main instruments were the tenor saxophone and flute, he also played oboe and bassoon, both rare in jazz, and also used a number of non-western instruments such as the bamboo fluteshanaishofarxunarghul andkoto. He is known for having been an innovator in the blending of jazz with "Eastern" music.[1] Peter Keepnews, in his New York Times obituary of Lateef, wrote that the musician "played world music before world music had a name."[2]
Lateef wrote and published a number of books including two novellas entitled A Night in the Garden of Love and Another Avenue, the short story collectionsSpheres and Rain Shapes, also his autobiography, The Gentle Giant, written in collaboration with Herb Boyd.[3] Along with his record label YAL Records, Lateef owned Fana Music, a music publishing company. Lateef published his own work through Fana, which includes Yusef Lateef's Flute Book of the Bluesand many of his own orchestral compositions.

Biography[edit]

Early life and career[edit]

Lateef was born in ChattanoogaTennessee. His family moved, in 1923, toLorainOhio and again in 1925, to Detroit, Michigan, where his father changed the family's name to "Evans".
Throughout his early life Lateef came into contact with many Detroit-based jazz musicians who went on to gain prominence, including vibraphonist Milt Jackson, bassist Paul Chambers, drummer Elvin Jones and guitarist Kenny Burrell. Lateef was a proficient saxophonist by the time of his graduation from high school at the age of 18, when he launched his professional career and began touring with a number of swing bands.
In 1949, he was invited by Dizzy Gillespie to tour with his orchestra. In 1950, Lateef returned to Detroit and began his studies incomposition and flute at Wayne State University. It was during this period that he converted to Islam as a member of theAhmadiyya Muslim Community.[4]

Prominence[edit]

Lateef began recording as a leader in 1957 for Savoy Records, a non-exclusive association which continued until 1959; the earliest of Lateef's album's for the Prestige subsidiary New Jazz overlap with them. Musicians such as Wilbur Harden (trumpet, flugelhorn), bassist Herman Wright, drummer Frank Gant, and pianist Hugh Lawson were among his collaborators during this period.
By 1961, with the recording of Into Something and Eastern Sounds, Lateef's dominant presence within a group context had emerged. His 'Eastern' influences are clearly audible in all of these recordings, with spots for instruments like the rahab, shanai,arghulkoto and a collection of Chinese wooden flutes and bells along with his tenor and flute. Even his use of the westernoboe sounds exotic in this context; it is not a standard jazz instrument. Indeed the tunes themselves are a mixture of jazz standards, blues and film music usually performed with a piano/bass/drums rhythm section in support. Lateef made numerous contributions to other people's albums including his time as a member of saxophonist Cannonball Adderley's Quintet during 1962–64.
Lateef's sound has been claimed to have been a major influence on the saxophonist John Coltrane, whose later period free jazz recordings contain similarly 'Eastern' traits. For a time (1963–66) Lateef was signed to Coltrane's label, Impulse. He had a regular working group during this period, with trumpeter Richard Williams and Mike Nock on piano.
In the late 1960s he began to incorporate contemporary soul and gospel phrasing into his music, still with a strong blues underlay, on albums such as Detroit and Hush'n'Thunder. Lateef expressed a dislike of the terms "jazz" and "jazz musician" as musical generalizations. As is so often the case with such generalizations, the use of these terms do understate the breadth of his sound. For example, in the 1980s, Lateef experimented with new age and spiritual elements.
In 1960, Lateef again returned to school, studying flute at the Manhattan School of Music in New York City. He received aBachelor's Degree in Music in 1969 and a Master's Degree in Music Education in 1970. Starting in 1971, he taught courses inautophysiopsychic music at the Manhattan School of Music, and he became an associate professor at the Borough of Manhattan Community College in 1972.
In 1975, Lateef completed his dissertation on Western and Islamic education and earned a Ed.D. in Education from theUniversity of Massachusetts Amherst. In the early 1980s Lateef was a Senior Research Fellow at the Center for Nigerian Cultural Studies at Ahmadu Bello University in the city of ZariaNigeria. Returning to the US in 1986 he took a joint teaching position at the University of Massachusetts and Hampshire College.

Later career[edit]

National Endowment for the Arts Jazz Masters is the highest honor given in Jazz established in 1982.[5]
His 1987 album Yusef Lateef's Little Symphony won the Grammy Award for Best New Age Album.[6][7] His core influences, however, were clearly rooted in jazz, and in his own words: "My music is jazz."[8]
In 1992, Lateef founded YAL Records. In 1993, Lateef was commissioned by the WDR Radio Orchestra Cologne to composeThe African American Epic Suite, a four-part work for orchestra and quartet based on themes of slavery and disfranchisementin the United States. The piece has since been performed by the Atlanta Symphony Orchestra and the Detroit Symphony Orchestra.
In 2010 he received lifetime the Jazz Master Fellowship Award from NEANational Endowment for the Arts which is an independent federal agency.[9][7]
Manhattan School of Music, where Lateef earned a bachelor's and a master's degree, awarded him a Distinguished Alumni Award in 2012.
Lateef's last albums were recorded for Adam Rudolph's "Meta Records". To the end of his life, he continued to teach at theUniversity of Massachusetts Amherst and Hampshire College in western Massachusetts. Lateef died on the morning of December 23, 2013 at the age of 93 after suffering from prostate cancer.[10]

Discography[edit]


Lateef performing in 2007 at the Detroit Jazz Festival

Lateef performing in Hamburg, 1971

As leader[edit]

Savoy 1957-1959
Impulse! 1963-1966
Atlantic 1967 -1991
YAL Records 1992-2002
  • Tenors of Yusef Lateef and Von Freeman (1992)
  • Heart Vision (1992)
  • Yusef Lateef Plays Ballads (1993)
  • Tenors of Yusef Lateef and Archie Shepp (1993)
  • Woodwinds (1993)
  • Tenors of Yusef Lateef & Ricky Ford (1994)
  • Yusef Lateef's Fantasia for Flute (1996)
  • Full Circle (1996)
  • CHNOPS: Gold & Soul (1997)
  • Earth and Sky (1997)
  • 9 Bagatelles (1998)
  • Like the Dust (1998)
  • Live at Luckman Theater (2001)
  • Earriptus (2001)
  • So Peace (2002)
  • A Tribute Concert for Yusef Lateef: YAL's 10th Anniversary (2002)
Meta Records
  • The World at Peace (1997)
  • Beyond the Sky (2000)
  • Go: Organic Orchestra: In the Garden (2003)
  • Towards the Unknown (2010)
  • Voice Prints (2013)
Other labels

As sideman[edit]

With Cannonball Adderley
With Nat Adderley
With Ernestine Anderson
With Art Blakey
With Donald Byrd
  • Byrd Jazz (Transition, 1955)
  • First Flight (1957)
With Paul Chambers
With Art Farmer
With Curtis Fuller
With Grant Green
With Slide Hampton
  • Drum Suite (1962)
With Louis Hayes
  • Louis Hayes featuring Yusef Lateef & Nat Adderley (1960)
With Les McCann
  • Invitation to Openness (1972)
With Don McLean
With Charles Mingus
With Babatunde Olatunji
With Sonny Red
With Leon Redbone
With Clark Terry
  • Color Changes (1960)
With Doug Watkins
With Randy Weston
With Frank Wess
  • Jazz Is Busting Out All Over (1957)

***




Jazz Man Yusef Lateef, Who Embraced World Music, Dies at 93




Jazz musician Yusef Lateef dead
Redferns/Getty Images

Grammy-winning musician and composer Yusef Lateef, one of the first to incorporate world music into traditional jazz, has died Monday at his home in Shutesbury in western Massachusetts. He was 93.
Lateef, a tenor saxophonist known for his impressive technique, also became a top flutist. He was a jazz soloist on the oboe and played bassoon. He introduced different types of flutes and other woodwind instruments from many countries into his music and is credited with playing world music before it was officially named.
“I believe that all humans have knowledge,” he said in a 2009 interview for the National Endowment for the Arts. “Each culture has some knowledge. That’s why I studied with Saj Dev, an Indian flute player. That’s why I studied Stockhausen’s music. The pygmies’ music of the rain forest is very rich music. So the knowledge is out there. And I also believe one should seek knowledge from the cradle to the grave. With that kind of inquisitiveness, one discovers things that were unknown before.”
As a composer, he created works for performers ranging from soloists to bands to choirs. His longer pieces have been played by symphony orchestras throughout the U.S. and in Germany. In 1987, he won a Grammy for his new age recording “Yusef Lateef’s Little Symphony,” on which he played all of the instruments.
In 2010, he was named an NEA Jazz Master, the nation’s highest jazz honor.
Lateef had an international following and toured extensively in the U.S., Europe, Japan and Africa. He most recently toured last summer.
He held a bachelor’s degree in music and a master’s degree in music education from the Manhattan School of Music, and from 1987 to 2002, he was a professor at the University of Massachusetts in Amherst, from which he was awarded a doctorate in education.
He created his own music theory called Autophysiopsychic Music, which he described in the NEA interview as “music from one’s physical, mental and spiritual self, and also from the heart.”
Born William Emanuel Huddleston in Chattanooga, Tenn., in 1920, Lateef moved with his family to Detroit five years later. He became acquainted with many top musicians who were part of Detroit’s active music scene, and by age 18, he was touring professionally with swing bands led by Lucky Millinder, Roy Eldridge, Hot Lips Page and Ernie Fields.
In 1949, he was invited to perform with the Dizzy Gillespie Orchestra, which was playing bebop. He took the name Yusef Lateef after becoming a member of the Ahmadiyya Muslim Community and twice made the pilgrimage to Mecca.
He became a fixture on the Detroit jazz scene in the 1950s leading his own quintet. In 1960, he moved to New York and joined Charles Mingus’ band. Lateef went on to perform with some of jazz’s best talent, including Cannonball Adderley, Donald Byrd and Miles Davis.
Lateef first began recording under his own name in 1956 for Savoy Records and made more than 100 recordings as a leader for such labels as Prestige, Impulse, Atlantic and his own YAL. His most enduring early recordings included such songs as “Love Theme from Spartacus” and “Morning.”
In the 1980s, he taught at a university in Nigeria, where he did research into the Fulani flute.
Lateef formed his own label, YAL Records, in 1992, which released an extended suite, “The World at Peace,” co-composed with percussionist Adam Rudolph. He also wrote a four-movement work for quintet and orchestra, “The African American Epic Suite,” which was commissioned and performed by the WDR Orchestra in Germany in 1993.
He is survived by his wife, Ayesha Lateef; son Yusef Lateef; a granddaughter; and great-grandchildren.
***

Yusef Lateef is a Grammy Award-winning composer, performer, recording artist, author, visual artist, educator and philosopher who has been a major force on the international musical scene for more than six decades. In recognition of his many contributions to the world of music, he has been named an American Jazz Master for the year 2010 by the National Endowment for the Arts. 

Still very much active as a touring and recording artist, Yusef Lateef is universally acknowledged as one of the great living masters and innovators in the African American tradition of autophysiopsychic music — that which comes from one’s spiritual, physical and emotional self. 

As a virtuoso on a broad spectrum of reed instruments -- tenor saxophone, flute, oboe, bamboo flute, shanai, shofar, argol, sarewa, and taiwan koto — Yusef Lateef has introduced delightful new sounds and blends of tone colors to audiences all over the world, and he has incorporated the sounds of many countries into his own music. As a result, he is considered a pioneer in what is known today as “world music.”

As a composer, Yusef Lateef has compiled a catalogue of works not only for the quartets and quintets he has led, but for symphony and chamber orchestras, stage bands, small ensembles, vocalists, choruses and solo pianists. His extended works have been performed by the WDR (Cologne), NDR (Hamburg), Atlanta, Augusta and Detroit Symphony Orchestras, the Symphony of the New World, Eternal Wind, the GO Organic Orchestra, and the New Century Players from California Insitute of the Arts. In 1987 he won a Grammy Award for his recording of “Yusef Lateef’s Little Symphony,” on which he performed all the parts. His latest extended works include a woodwind quintet, his Symphony No.2, and a concerto for piano and orchestra.

As an educator, Yusef has devoted much of his life to exploring the methodology of autophysiopsychic music in various cultures and passing what he has learned on to new generations of students. He is an emeritus Five Colleges professor at the University of Massachusetts in Amherst, MA, from which he was awarded a Ph.D. in Education in 1975. His doctoral dissertation was entitled “An Overview of Western and Islamic Education.” In 2007 he was named University of Massachusetts’ “Artist of the Year.”

As an author, Yusef Lateef has published two novellas, “A Night in the Garden of Love” and “Another Avenue;” two collections of short stories, “Spheres” and “Rain Shapes;” and his autobiography, “The Gentle Giant,” written in collaboration with Herb Boyd. In recent years he has also exhibited his paintings at various art galleries. 

Yusef A. Lateef was born William Emanuel Huddleston on October 9, 1920 in Chattanooga, Tennessee, and moved with his family to Detroit in 1925. In Detroit’s fertile musical environment, Yusef soon established long-standing friendships with such masters of American music as Milt Jackson, Tommy Flanagan, Barry Harris, Paul Chambers, Donald Byrd, the Jones brothers (Hank, Thad and Elvin), Curtis Fuller, Kenny Burrell, Lucky Thompson and Matthew Rucker. He was already proficient on tenor saxophone while in high school, and at the age of 18 began touring professionally with swing bands led by Hartley Toots, Hot Lips Page, Roy Eldridge, Herbie Fields and eventually Lucky Millender. In 1949 he was invited to join the Dizzy Gillespie Orchestra. 

In 1950 he returned to Detroit, where he began to study composition and flute at Wayne State University, receiving his early training in flute from Larry Teal. He also converted to Islam in the Ahmadiyya movement and took the name Yusef Lateef. From 1955–1959 he led a quintet including Curtis Fuller, Hugh Lawson, Louis Hayes and Ernie Farrell. In 1958 he began studying oboe with Ronald Odemark of the Detroit Symphony Orchestra. 

Returning to New York in 1960, Yusef undertook further studies in flute with Harold Jones and John Wummer at the Manhattan School of Music, from which he received his Bachelor’s Degree in Music in 1969 and his Master’s Degree in Music Education in 1970. Later, as a member of the school’s theory department in 1971, he taught courses in autophysiopsychic music. From 1972–1976, he was an associate professor of music at the Borough of Manhattan Community College.

Yusef first began recording under his own name in 1956 for Savoy Records, and has since made more than 100 recordings as a leader for the Savoy, Prestige, Contemporary, Impulse, Atlantic and YAL labels. His early recordings of such songs as “Love Theme from Spartacus” and “Morning” continue to receive extensive airplay even today. He also toured and recorded with the ensembles of Charles Mingus, Cannonball Adderley, Miles Davis, Dizzy Gillespie and Babatunde Olatunji in the 1960s. 

As an instrumentalist with his own ensemble, Yusef Lateef has performed extensively in concert halls and at colleges and music festivals throughout the United States, Europe, the Middle East, Russia, Japan and Africa, often conducting master classes and symposia in conjunction with his performances. Dating from the release of the double CD “Influence” with the Belmondo Brothers in 2005, his engagements at international music festivals have increased significantly. Over the years his touring ensembles have included such master musicians as Barry Harris, Kenny Barron, Hugh Lawson, Albert Heath, Roy Brooks, Ernie Farrell, Cecil McBee, Bob Cunningham, Adam Rudolph, Charles Moore, Ralph Jones and Frederico Ramos as well as the Lionel and Stéphane Belmondo. 

Dr. Lateef’s first major work for large orchestra was his Blues Suite, also known as “Suite 16,” premiered in 1969 by the Augusta, GA Symphony Orchestra, performed in 1970 with his hometown Detroit Symphony Orchestra at the Meadowbrook Music Festival, and recorded by the WDR Orchestra in Cologne. In 1974 the NDR Radio Orchestra of Hamburg commissioned him to compose and perform the tone poem “Lalit,” and he later premiered and recorded his Symphony No.1 (Tahira) with the same orchestra. 

From August 1981 until August 1985, Dr. Lateef was a senior research Fellow at the Center for Nigerian Cultural Studies at Ahmadu Bello University in Zaria, Nigeria, where he did research into the Fulani flute. Sarewa is the generic name for the Fulani flute.

In 1992 Yusef Lateef formed his own label, YAL Records, to record and distribute his works and those of other artists including the Eternal Wind Quintet. One of his first recordings on the label, co-composed with percussionist Adam Rudolph, was “The World at Peace,” an extended suite requiring 12 musicians including Eternal Wind, which has received repeated performances throughout the United States.

In 1993 the WDR Orchestra producer Ulrich Kurtz commissioned Yusef Lateef’s most ambitious work to date, The African American Epic Suite, a four-movement work for quintet and orchestra representing 400 years of slavery and disfranchisement of African Americans in America. David de Villiers conducted the premiere performance and recording with the WDR Orchestra. The suite has also been performed by the Atlanta Symphony Orchestra under Yoel Levi as a centerpiece of the National Black Arts Festival in 1998 and by the Detroit Symphony Orchestra under Thomas Wilkins in 2001. 

Through his publishing company, Fana Music, Yusef Lateef has contributed extensively to the lexicon of performance and improvisational methodology with such works as “Yusef Lateef’s Flute Book of the Blues,” “A Repository of Melodic Scales and Patterns,” and “123 Duets for Treble Clef Instruments.” Fana has also published numerous works for chamber ensembles, stage bands, duos and wind ensemble or symphony orchestra.

***

Yusef Lateef - obituary

Yusef Lateef was a multi-instrumentalist jazz musician who converted to Islam and pioneered the performance of 'world music’

Yusef Lateef
Yusef Lateef Photo: WIREIMAGE/FRANK MULLEN


Yusef Lateef, who has died aged 93, was a jazz musician who pioneered the performance of “world music” long before the term came into general use. A convert to Islam, he declared: “My music is, like my religion, supposed to take you from this life into the next.”
A man of many talents and a born scholar, Yusef Lateef was born William Emanuel Huddleston (some sources give the surname as Evans) on October 9 1920, in Chattanooga, Tennessee. His mother played the piano in church and he remembered his father as having “a beautiful singing voice”. In 1925 his family moved to Detroit, where the boy grew up amid the sounds of the burgeoning swing era. He made up his mind to be a musician at the age of 12, and finally acquired a saxophone, with his father’s help, at 18.
In his twenties, Lateef played with several well-known bands of the period, including those of Lucky Millinder, Roy Eldridge, Hot Lips Page and Ernie Fields. In 1949 he was touring in California with Dizzy Gillespie’s orchestra when he received news that his wife was ill. Hurrying home to Detroit, he was forced to take a job in the Chrysler factory, there being no regular musical work available.
Yusef Lateef on sax (WIREIMAGE/FRANK MULLEN)
This experience affected him deeply. In a search for spiritual development, he had recently embraced Islam, which stresses the obligation to care for one’s family. The life of a jobbing musician would not provide this. The answer, he concluded, lay in getting himself an education.
He enrolled at Wayne State University to study composition and flute. At the same time his professional fortunes improved, and he was soon leading his own quintet in clubs around the Detroit area. He made his recording debut as a leader in 1956, for the Savoy label.
The flute was not widely used in jazz at the time and, together with the growing Eastern influences in Lateef’s music, its novelty proved popular with record buyers. That album, Jazz for the Thinker, did so well that 1957 saw the release of seven Yusef Lateef albums (four on Savoy, one each on Verve, Prestige and New Jazz).
In 1960 Lateef moved to New York, where he worked briefly with Charles Mingus’s band, as well as leading quartets and quintets of his own. He was now playing — along with the tenor saxophone and flute — the oboe, bassoon and a range of Eastern wind instruments, including the shanai, the arghul and the algaita, plus a collection of Chinese wooden flutes, bells and gongs. A single from his 1961 album Eastern Sounds, a version of the “Love Theme” from the film Spartacus, reached the top of the jazz charts.

He continued to work occasionally under the leadership of other musicians, notably the saxophonist Cannonball Adderley. He can be seen and heard playing with Adderley’s sextet in a recording from the television show Jazz Scene USA (1962).
Lateef resumed his studies at the Manhattan School of Music, gaining his performer’s degree on flute in 1969 and a Master’s degree in Music Education in 1970. He then began teaching at the School, running classes in improvisation, which he called “autophysiopsychic music”.
In 1975 Lateef was awarded a Doctorate in Education by the University of Massachusetts, Amherst, for a dissertation on Western and Islamic education. Between 1981 and 1985 he was a senior research fellow at the University of Ahmadubelo, Nigeria. On his return he took up a teaching post at The University of Massachusetts, to which he remained attached for the rest of his life.
Although he continued to perform professionally almost until the end (his last tour was in the summer this year), Lateef gave up playing in nightclubs in 1981, because their atmosphere had become obnoxious to him. In later years his gradual move from hearty blues-flavoured playing to a more meditative, introspective style was not always well received by audiences and critics.
During his career he recorded more than 100 albums. From 1992 these were made for his own label, YAL Records. He received a Grammy Award in 1987, for the album Yusef Lateef’s Little Symphony.
In addition to his musical and academic activities, Lateef published several books of short stories and novellas; towards the end of his life he was a keen painter, specialising in studies of trees. He twice made the Hajj to Mecca.
Yusef Lateef is survived by his second wife and a son. His first wife and two children predeceased him.

***

Yusef Lateef was a jazz musician who pioneered the performance of “world music” long before the term came into general use. A convert to Islam, he declared: “My music is, like my religion, supposed to take you from this life into the next.”
A man of many talents and a born scholar, Yusef Lateef was born William Emanuel Huddleston (some sources give the surname as Evans) on October 9 1920, in Chattanooga, Tennessee. His mother played the piano in church and he remembered his father as having “a beautiful singing voice”. In 1925 his family moved to Detroit, where the boy grew up amid the sounds of the burgeoning swing era. He made up his mind to be a musician at the age of 12, and finally acquired a saxophone, with his father’s help, at 18.


In his twenties, Lateef played with several well-known bands of the period, including those of Lucky Millinder, Roy Eldridge, Hot Lips Page and Ernie Fields. In 1949 he was touring in California with Dizzy Gillespie’s orchestra when he received news that his wife was ill. Hurrying home to Detroit, he was forced to take a job in the Chrysler factory, there being no regular musical work available.

This experience affected him deeply. In a search for spiritual development, he had recently embraced Islam, which stresses the obligation to care for one’s family. The life of a jobbing musician would not provide this. The answer, he concluded, lay in getting himself an education.
He enrolled at Wayne State University to study composition and flute. At the same time his professional fortunes improved, and he was soon leading his own quintet in clubs around the Detroit area. He made his recording debut as a leader in 1956, for the Savoy label.
The flute was not widely used in jazz at the time and, together with the growing Eastern influences in Lateef’s music, its novelty proved popular with record buyers. That album, Jazz for the Thinker, did so well that 1957 saw the release of seven Yusef Lateef albums (four on Savoy, one each on Verve, Prestige and New Jazz).
In 1960 Lateef moved to New York, where he worked briefly with Charles Mingus’s band, as well as leading quartets and quintets of his own. He was now playing — along with the tenor saxophone and flute — the oboeHe continued to work occasionally under the leadership of other musicians, notably the saxophonist Cannonball Adderley. He can be seen and heard playing with Adderley’s sextet in a recording from the television show Jazz Scene USA (1962).
Lateef resumed his studies at the Manhattan School of Music, gaining his performer’s degree on flute in 1969 and a Master’s degree in Music Education in 1970. He then began teaching at the School, running classes in improvisation, which he called “autophysiopsychic music”.
In 1975 Lateef was awarded a Doctorate in Education by the University of Massachusetts, Amherst, for a dissertation on Western and Islamic education. Between 1981 and 1985 he was a senior research fellow at the University of Ahmadubelo, Nigeria. On his return he took up a teaching post at The University of Massachusetts, to which he remained attached for the rest of his life.
Although he continued to perform professionally almost until the end (his last tour was in the summer this year), Lateef gave up playing in nightclubs in 1981, because their atmosphere had become obnoxious to him. In later years his gradual move from hearty blues-flavoured playing to a more meditative, introspective style was not always well received by audiences and critics.
During his career he recorded more than 100 albums. From 1992 these were made for his own label, YAL Records. He received a Grammy Award in 1987, for the album Yusef Lateef’s Little Symphony.
In addition to his musical and academic activities, Lateef published several books of short stories and novellas; towards the end of his life he was a keen painter, specialising in studies of trees. He twice made the Hajj to Mecca.
Yusef Lateef is survived by his second wife and a son. His first wife and two children predeceased him.

Yusef Abdul Lateef (born William Emanuel Huddleston, October 9, 1920 – December 23, 2013) was an American jazz multi-instrumentalist, composer and educator. He became a member of the Ahmadiyya Muslim Community after his conversion to the Ahmadiyya sect of Islam in 1950.
Although Lateef's main instruments were the tenor saxophone and flute, he also played oboe and bassoon, both rare in jazz, and also used a number of non-western instruments such as the bamboo flute, shanai, shofar, xun, arghul and koto. He is known for having been an innovator in the blending of jazz with "Eastern" music.
Lateef wrote and published a number of books including two novellas entitled A Night in the Garden of Love and Another Avenue, the short story collections Spheres and Rain Shapes, along with his autobiography, The Gentle Giant, written in collaboration with Herb Boyd. Along with his record label YAL Records, Lateef owned Fana Music, a music publishing company. Lateef published his own work through Fana, which includes Yusef Lateef's Flute Book of the Blues and many of his own orchestral compositions.

Lateef was born in Chattanooga, Tennessee. His family moved, in 1923, to Lorain, Ohio and again in 1925, to Detroit, Michigan, where his father changed the family's name to "Evans".
Throughout his early life, Lateef came into contact with many Detroit-based jazz musicians who went on to gain prominence, including vibraphonist Milt Jackson, bassist Paul Chambers, drummer Elvin Jones and guitarist Kenny Burrell. Lateef was a proficient saxophonist by the time of his graduation from high school at the age of 18, when he launched his professional career and began touring with a number of swing bands.
In 1949, he was invited by Dizzy Gillespie to tour with his orchestra. In 1950, Lateef returned to Detroit and began his studies in composition and flute at Wayne State University. It was during this period that he converted to Islam and became a member of the Ahmadiyya Muslim Community.

Lateef began recording as a leader in 1957 for Savoy Records, a non-exclusive association which continued until 1959. The earliest of Lateef's album's for the Prestige subsidiary New Jazz overlap with them. Musicians such as Wilbur Harden (trumpet, flugelhorn), bassist Herman Wright, drummer Frank Gant, and pianist Hugh Lawson were among his collaborators during this period.
By 1961, with the recording of Into Something and Eastern Sounds, Lateef's dominant presence within a group context had emerged. His 'Eastern' influences are clearly audible in all of these recordings, with spots for instruments like the rahab, shanai, arghul, koto and a collection of Chinese wooden flutes and bells along with his tenor and flute. Even his use of the western oboe sounds exotic in this context; it is not a standard jazz instrument. Indeed, the tunes themselves are a mixture of jazz standards, blues and film music usually performed with a piano/bass/drums rhythm section in support. Lateef made numerous contributions to other people's albums including his time as a member of saxophonist Cannonball Adderley's Quintet during 1962–64.
Lateef's sound has been claimed to have been a major influence on the saxophonist John Coltrane, whose later period free jazz recordings contain similarly 'Eastern' traits. For a time (1963–66) Lateef was signed to Coltrane's label, Impulse. He had a regular working group during this period, with trumpeter Richard Williams and Mike Nock on piano.
In the late 1960s, Lateef began to incorporate contemporary soul and gospel phrasing into his music, still with a strong blues underlay, on albums such as Detroit and Hush'n'Thunder. Lateef expressed a dislike of the terms "jazz" and "jazz musician" as musical generalizations. As is so often the case with such generalizations, the use of these terms do understate the breadth of his sound. For example, in the 1980s, Lateef experimented with new age and spiritual elements.
In 1960, Lateef again returned to school, studying flute at the Manhattan School of Music in New York City. He received a Bachelor's Degree in Music in 1969 and a Master's Degree in Music Education in 1970. Starting in 1971, he taught courses in autophysiopsychic music at the Manhattan School of Music, and he became an associate professor at the Borough of Manhattan Community College in 1972.
In 1975, Lateef completed his dissertation on Western and Islamic education and earned a Ed.D. in Education from the University of Massachusetts at Amherst. In the early 1980s, Lateef was a Senior Research Fellow at the Center for Nigerian Cultural Studies at Ahmadu Bello University in the city of Zaria, Nigeria. Returning to the United States in 1986 he took a joint teaching position at the University of Massachusetts and Hampshire College.
Lateef's 1987 album Yusef Lateef's Little Symphony won the Grammy Award for Best New Age Album. His core influences, however, were clearly rooted in jazz, and in his own words: "My music is jazz."
In 1992, Lateef founded YAL Records. In 1993, Lateef was commissioned by the WDR Radio Orchestra Cologne to composeThe African American Epic Suite, a four-part work for orchestra and quartet based on themes of slavery and disfranchisement in the United States. The piece has since been performed by the Atlanta Symphony Orchestra and the Detroit Symphony Orchestra.
In 2010, Lateef received the lifetime Jazz Master Fellowship Award from NEA, the National Endowment for the Arts, an independent federal agency.
The Manhattan School of Music, where Lateef earned a bachelor's and a master's degree, awarded him a Distinguished Alumni Award in 2012.

Lateef's last albums were recorded for Adam Rudolph's "Meta Records". To the end of his life, he continued to teach at the University of Massachusetts at Amherst and Hampshire College in western Massachusetts. Lateef died on the morning of December 23, 2013 at the age of 93 after suffering from prostate cancer.

The discography of Yusef Lateef include the following:
Savoy 1957-1959
  • Jazz for the Thinker (1957)
  • Jazz Mood (1957)
  • Jazz and the Sounds of Nature (1957)
  • Prayer to the East (1957)
  • The Dreamer (1959)
  • The Fabric of Jazz (1959)
Impulse! 1963-1966
  • Jazz 'Round the World (1963)
  • Live at Pep's (1964)
  • 1984 (1965)
  • Psychicemotus (1965)
  • A Flat, G Flat and C (1966)
  • The Golden Flute (1966)
Atlantic 1967 -1991
  • The Complete Yusef Lateef (1967)
  • The Blue Yusef Lateef (1968)
  • Yusef Lateef's Detroit (1969)
  • The Diverse Yusef Lateef (1969)
  • Suite 16 (1970)
  • The Gentle Giant (1971)
  • Hush 'N' Thunder (1972)
  • Part of the Search (1973)
  • 10 Years Hence (1974)
  • The Doctor is In... and Out (1976)
  • Yusef Lateef's Little Symphony (1987)
  • Concerto for Yusef Lateef (1988)
  • Nocturnes (1989)
  • Meditations (1990)
  • Yusef Lateef's Encounters (1991)
YAL Records 1992-2002
  • Tenors of Yusef Lateef and Von Freeman (1992)
  • Heart Vision (1992)
  • Yusef Lateef Plays Ballads (1993)
  • Tenors of Yusef Lateef and Archie Shepp (1993)
  • Woodwinds (1993)
  • Tenors of Yusef Lateef & Ricky Ford (1994)
  • Yusef Lateef's Fantasia for Flute (1996)
  • Full Circle (1996)
  • CHNOPS: Gold & Soul (1997)
  • Earth and Sky (1997)
  • 9 Bagatelles (1998)
  • Like the Dust (1998)
  • Live at Luckman Theater (2001)
  • Earriptus (2001)
  • So Peace (2002)
  • A Tribute Concert for Yusef Lateef: YAL's 10th Anniversary (2002)
Meta Records
  • The World at Peace (1997)
  • Beyond the Sky (2000)
  • Go: Organic Orchestra: In the Garden (2003)
  • Towards the Unknown (2010)
  • Voice Prints (2013)
Other labels
  • Before Dawn: The Music of Yusef Lateef (Verve, 1957)
  • The Sounds of Yusef (Prestige, 1957)
  • Other Sounds (New Jazz, 1957)
  • Lateef at Cranbrook (Argo, 1958)
  • Cry! - Tender (New Jazz, 1959)
  • The Three Faces of Yusef Lateef (Riverside, 1960)
  • The Centaur and the Phoenix (Riverside, 1960)
  • Lost in Sound (Charlie Parker, 1961)
  • Eastern Sounds (Moodsville, 1961)
  • Into Something (New Jazz, 1961)
  • Autophysiopsychic (1977, CTI Records)
  • In a Temple Garden (1979, CTI Records)
  • Yusef Lateef in Nigeria (Landmark, 1983)
  • Influence with Lionel and Stéphane Belmondo (2005)
  • Roots Run Deep (Rogue Art, 2012)
With Cannonball Adderley
  • The Cannonball Adderley Sextet in New York (Riverside, 1962)
  • Cannonball in Europe! (Riverside, 1962)
  • Jazz Workshop Revisited (Riverside, 1962)
  • Autumn Leaves (Riverside, 1963)
  • Nippon Soul (Riverside, 1963)
With Nat Adderley
  • That's Right! (Riverside, 1960)
With Ernestine Anderson
  • My Kinda Swing (1960)
With Art Blakey
  • The African Beat (1962)
With Donald Byrd
  • Byrd Jazz (Transition, 1955)
  • First Flight (1957)
With Paul Chambers
  • 1st Bassman (1961)
With Art Farmer
  • Something You Got (CTI, 1977)
With Curtis Fuller
  • Images of Curtis Fuller (Savoy, 1960)
  • Boss of the Soul-Stream Trombone (Warwick, 1960)
  • Gettin' It Together (1961)
With Grant Green
  • Grantstand (Blue Note, 1961)
With Slide Hampton
  • Drum Suite (1962)
With Louis Hayes
  • Louis Hayes featuring Yusef Lateef & Nat Adderley (1960)
With Les McCann
  • Invitation to Openness (1972)
With Don McLean
  • Homeless Brother (1973)
With Charles Mingus
  • Pre-Bird (aka, Mingus Revisited, 1960)
With Babatunde Olatunji
  • Drums of Passion (1960)
With Sonny Red
  • Breezing (Jazzland, 1960)
With Leon Redbone
  • Double Time (Warner Bros., 1976)
With Clark Terry
  • Color Changes (1960)
With Doug Watkins
  • Soulnik (New Jazz, 1960)
With Randy Weston
  • Uhuru Afrika (Roulette, 1960)
With Frank Wess
  • Jazz Is Busting Out All Over (1957)